Hyper Dimensional Resonator,
built and marketed by
Future Horizons, Inc.
Photo by Future Horizons.

When you deal with intangible beings, there's rarely any long lasting physical evidence. I've been playing with time travel techniques, out of body journeys and other strange practices for many decades now, and although I've had many fascinating experiences as a result I've only been able to prove to a few people that I'm not just kidding. Getting other people directly involved in what happens can be dangerous -- now that I'm older I consider it hard work without a point. As with the recent contacts in Stephensville, Texas, there's never enough to satisfy the skeptical even if it's real. Many lies about UFO contacts, astral projection and the rest of the spectrum of weird existence actually work better in the minds of most people.

--If you're interested in what the HDR does, read about my tests of the machine here at SkinWalker: Meat--

Real physical evidence may not be so hard to find, however. Sometimes all you have to do is ask. I recall the times I mentally projected a request for evidence to my own high flying friends in space and did receive exactly what I requested. Another person who had the courage to speak up is Steven Gibbs, a farmer from Nebraska with some additional training as an electronics technician who became interested in the Montauk Project and wondered if the story could be true. Mr. Gibbs wrote to the author of one of the popular books on the secret projects at Ft. Hero -- on Long Island, New York, near the small fishing town of Montauk -- not to argue but to ask for more information about the hardware involved. Some time later Mr. Gibbs received a schematic diagram of an odd electronic circuit in the mail, in an envelope with no return address.

My personal HDR, built by the master Steven Gibbs. Photo by JTHats.

That was the beginning of the Steven Gibbs Time Machine -- the HDR or Hyperdimensional Resonator -- which Mr. Gibbs has since been hand crafting and selling to a brave few for a very reasonable price ever since. It isn't cheap, but considering the amount of work that went into it, it's a bargain. If you've ever tried to hand wind a radio choke you know what it took to create the caduceus coil that forms the heart of this beast.

Mr. Gibbs has made several statements about the machine which are illogical and contradictory to the casual informed user -- which doesn't necessarily faze me, since other people have made much the same criticism of my own work. If you don't understand it completely yourself, you're bound to make mistakes. Those of us who experiment with strange physics don't know how or why it works, or even how to get completely consistent results. But we do occasionally get results, consistently enough that to us the pursuit of strange knowledge remains worthwhile.

Gibbs's statement that the circuit itself is a dead short in electronic terms isn't actually true. In DC terms it is, since the resistances in the circuit are inductive. To an AC current it's a genuinely heavy drinker and users can expect some fuses to blow in the house or secret laboratory if the wiring is already running computers and Tesla devices at nearly full capacity. Popping and arcing in lighting circuits in the same room has been reported occasionally, and isn't always explained by circuit overload. Spontaneous movement of the caduceus coil, including levitation, hasn't been observed in my own use of the machine, but others have made these claims. The windings of the caduceus coil create an intense pulsating electromagnetic field which vibrates at a very low rate in electronic terms -- well below the 60 Hertz signal which powers the machine. It's a vibration you can feel as you hold the coil in your hands, and when you bring the coil near your abdomen as you do when operating the machine, you can feel the effect of the magnetic force as it shakes your iron bearing blood back and forth. There's certainly some concern over long term health effects, beyond Mr. Gibbs advice on determining the collect polarity during setup. According to Gibbs, hooking up the device incorrectly can transform healing treatments into destructive forces and cause the opposite of your intention to happen.

Having expressed so much concern over these issues as well as the possibility of opening direct gateways to Hell by careless use of the machine, I do wish Mr. Gibbs had taken the time to label cords, dials and switches. His manual is definitely disorganized and confusing, and you're never quite sure -- from what you read and what you see in the machine's controls -- whether you're actually doing the procedure correctly. If you're a war veteran or have had a metallic prostheses of any kind added to your body surgically, keep the machine away from you. Pacemakers, artificial hips, surgical pins and shrapnel could all be jarred about by this machine if they're built with any iron-bearing components. Even used as directed the safe operating time limit is only three minutes. I've gone beyond that without obvious trouble, but it's a machine which deserves respect and caution. One of the things which impressed me about it immediately was that the feel of it is very similar to currents of vibrating energy I've felt during spontaneous experiences of my own, subtle but indicative of something much more powerful operating just beyond the range of physical perception.

Part of the circuitry I distrust is the coil headband (fashioned from the coiled cord of a microphone or telephone) which connects to an inert control circuit. Dials shift resistance values in this portion of the device but have no electronic effect on the machine. The control portion combines some of the aspects of a ouija board with some of the quirks of a radionics projector. Neither has ever produced anything unusual for me and I have little faith in that system, at least as a personal tool. Technology of that sort represents mental ability which isn't bound by technology. It's a trick that increases belief in the power of the machine. That trick only works if you don't know a damn thing about electronics.

This could be part of the reason I've had no obvious results from the use of the HDR. I don't see it as necessary to my own work, which has included most of the experiences Stephen Gibbs reported from the machine's use. Other users like Patricia Ress, author of a book about Mr. Gibbs's experiences with the HDR and an experienced user herself, report that the HDR intensifies astral projection but only produces results on one of ten tries. Those who naturally experience OBE's or other odd levels of reality may find the HDR a useful trigger or perhaps a handy way to power up for this elusive event.

What still interests me is the gateway concept behind this. Gibbs suggests using the machine for triggering astral projection, but also gives advice on how to form physical time portals using the HDR time machine in conjunction with either natural or artificial structures. This does correspond well with what I've experienced at ancient sites using other sources of energy. The gateway devices intrigue me since I dreamed about them frequently before I ever knew what they were. Building one isn't easy -- I chose to build one of hand cut wooden timbers, and the project was nearly impossible for the two of us to assemble. Make one of these and you'll get a glimmer of what went into Stonehenge, and why.

Having done all of that, I haven't combined the Hyperdimensional Resonator and the gateway for a real test. I suppose I should, and I'm sure that someday I will, but I don't disbelieve in this part. I've seen too much to believe that it can't happen. Now I'm stuck with concern for the consequences when it does. One of these days I'll know the time is right. It may not be for years, and possibly the signal won't ever come -- or I may get curious tomorrow, and open up a gateway to somewhere, you never know when the urge will hit. With luck the portal will take us to a nice place to build a cabin, and bears that aren't too big.

Links:

Patricia Ress's HDR Users Page

Steven Gibbs